City building at Mount View Elementary

I moved to Seattle eight years ago intending to dive fully into the city’s culture. I’ve wandered the halls of 619 Western Ave during art walks and cheered on slam poets late into the night. I’ve learned to effortlessly distribute waste/recycles/compost into each appropriate bin. I make my own kombucha and am pretentious about coffee with the best of them. Weather does not deter my outdoor activities and of course I don’t use an umbrella.

I came to Seattle for much more than sipping lattes though.

I came to contribute to and see this city reach its full potential for greatness. At some point along the way, I decided that I wanted to do more than be an artist in my own right; I felt compelled to seek out opportunities for all youth in the city to engage in the arts. Arts had shaped my youth and my life in Seattle, and I wanted to see these opportunities made available to the generations behind me. Thus working with Arts Corps to teach ceramics at Mount View Elementary (within the greater Seattle area) has been such an honor and so fulfilling.

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Today our class wrapped up the City Building project that we spent much of Winter quarter working on. Students had collaborated and used various ceramic techniques to construct businesses, a zoo, a hospital, homes, parks, a soccer field, a transportation systems (and yes, our city had two coffeeshops). They saw the culmination of their hard work as they combined individual pieces into one collective city, choosing where to place each piece of the city and drawing roads connecting each piece to the others. As they stepped back, they saw how their individual contributions added to something so much larger.

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I was really excited about this project because it not only allowed the students to use all the ceramic techniques we had thus far learned, but the project also required the students to dream into and then create a city as they would build it. My hope was that the project would empower the students to think of themselves as significant contributors to their community!… That they are culture shapers!… That anything is possible!

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Today was also my last day as a resident of Seattle. Tomorrow I move to San Francisco to join the Exploratorium’s Extended Learning team, where I’ll continue to create opportunities for people of all ages to engage in curiosity, creativity, and possibility. I’ll surely immerse myself into that city just like I’ve done here, but as I leave, I’m hopeful that something lasting has been planted here in Seattle. More than a few skills in ceramics, my hope is that I’m leaving these students with a greater sense of their potential, both as artists and as contributors to their world.

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With all that Seattle has to offer (and yes, today was sunny and 70), I cannot think of a better way to have spent my last afternoon in this city than investing into these budding artists, moreover, young culture shapers.

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Teens in the City!

In case you missed all the fabulous stories at Low Income Housing’s, Meadowbrook View. You can read all my blogs on the Arts Corps website. This video is a continuation of my last post “And so, here we are“. Enjoy! It’s was a groovin’ time.

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The Meadowbrook Crew Performs at the Arts Corps Showcase

Well, as we come to the close of another year, I’m posting a few photos from our recent performance at the Arts Corps Showcase. We are so honored to have participated in this event. It’s a lot of work teaching music to a wide age range (4-14) of kids, but it’s equally hard keeping their attention and focus during the start of summer fever! It’s been a long arduous journey over these past two years and the kids have come and gone; nevertheless, it’s been fun watching them learn and grow. Bidding my final farewell to these kids, a.k.a. “The Meadowbrook Crew” at the end of June is going to be difficult; but life goes on and this experience has taught me a lot about myself.

I know I’ll never be the same.

~ Carla

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Rise UP!

It’s always great to observe fellow Arts Corps colleagues. There’s so much to learn about their artistry, pedagogical practices, and personal relationship with their students. Just a few weeks ago, I had the wonderful opportunity to do just that–observe fellow teaching artist, Stephany Hazelrigg at Aki Kurose.

What an awesome experience for me!

Besides the usual teaching of concepts, in this case, hip-hop vocabulary and dance moves, I found that Stephany was teaching an old and familiar concept in a whole new way.

Community.

I know I’ve written on this subject before and while I thought I had “community” well defined in my head, I now enjoy a much deeper understanding of this word than ever before.

You see, what caught my attention was her use of words and phrases that nurtured the idea of community and therefore were reflected in her actions.

For example, when two younger students began arguing, an older student jumped in and defended her friend. Instead of allowing the older student to take control of the situation, Stephany said- “will you be the older sister and mentor and step back?” This provided an opportunity for the two younger students to problem solve on their own and learn to communicate. As for the older girl, it allowed her to reflect and respond appropriately and maturely rather than to react defensively.

In another instance, as a young boy struggled teaching several dance moves to the class, Stephany reminded him, “remember, the goal as a leader is to not trick your community. Show them moves they can all follow.” As a result, the young boy chose simpler steps and taught them slowly so that all the students felt successful.

“Reset, Rewind, Recommit!”

“Rise up!”

“Celebrate and Elevate!”

Words and actions embracing and nurturing the true meaning of community.

It may seem basic and remedial, but in today’s world and with today’s generation, community is a hard concept to grasp. It’s not just about neighbors and neighborhoods. It’s about interacting with the people around us each and every day. Much of our youth today doesn’t know how to get along and communicate positively and effectively. We as teachers  have to tackle this problem and so much more in our classes. We’re not just teaching our artistry anymore, we’re teaching life long skills necessary to co-exist in our world. The fact is that we can’t really make an impact in our work until we’ve built a safe environment around us. We must all feel loved, accepted, and a significant part of a functioning community.

I left the class renewed, reinvigorated and eager to apply these ideas to my own students. I’ve always felt that even as a seasoned educator there is always room to learn new and old things.

After all, the key to perfecting our craft is to always remain life long students!

Thanks Stephany!

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Classtime! student reflections & learnings

The MusicianCorps Seattle Fellows dedicated a year of service to music learning. A bulk of their time was spent teaching: in school, after-school, in community centers, at low-income housing institutes, to students learning an instrument for the first time, and to professionals seeking to incorporate music tools into their career.

The four MusicianCorps Seattle Fellows reached 234 students with ongoing year-long music learning classes, and over 2,500 community members with civic and learning events.

So what did the students think?  To find out, watch this video about classtime during the MusicianCorps Seattle pilot year, and see below to read student reactions.

“Taking care of people … drumming … the bells … meeting people … being able to work together … tambourines … working together”
–what students (aged 5-9) liked from Brazilian Rhythms, the MusicianCorps class led by Eduardo Mendonca

MusicianCorps Fellow Eduardo Mendonca with his Brazilian Rhythms class

“It’s been good. I enjoy practices. I enjoy the feeling I get when I wake up in the morning and say ‘uh, I got to go to school, but at least I have drumline today.’ He has taught me a lot of stuff. A lot of it has to do with drums, like sticking. But not only drumline … to believe in myself that I can do anything I want if I really try.”
–David Valdez-Lazo, student in Aaron Walker-Loud’s drumline class at Washington Middle School

MusicianCorps Fellow Aaron Walker-Loud with his drumline class at Washington Middle School

“I think his energy was really, really important. [Amos] opened up the space. He was modeling what we were going to do. And that was really important in order for us to start taking initiative to actually start seeing what it looks like.”

“It’s made me try new things and understand people better. When you actually sit down and take time to learn about how people are, you actually realize how amazing everybody is.”

“Now I have a stronger sense of self, and a stronger sense of what I need to get accomplished and who I am as a person. We all have these dreams, but who you are is what you choose to do, even if you mess up.”

“I am going to write music about issues going on in the community and perform them so that other people can learn about what’s going on. And to do performances for charities, because that’s what I really liked about being in this group – to play music for something we actually really cared about.”
–students from Youngstown Records, MusicianCorps class led by Amos Miller

Youngstown Records class with MusicianCorps Fellow Amos Miller

“Cool, Inspiring, Fun, Creative, Challenging, Awesome, The people, Carla, My team”
–what students liked from World Rhythms, the MusicianCorps class at Low Income Housing Institute at Meadowbrook View Apartments, led by MusicianCorps Fellow Carla Moreno

MusicianCorps Fellow Carla Moreno's World Rhythms class at Meadowbrook View Apartments
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